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CAMERON KRONE

FASHION PHOTOGRAPHER

NEW YORK, UNITED STATES

 

 

  

 

Cameron is one photographer to keep an eye on, although he feels that he has a long way to become the 'go to' fashion photographer, being an photographer for 2 years, his clientele is quite impressive; Editorial: V, VMan, Elle China, Nylon, Details.  Cameron has also worked with a number of models including; Chanel Iman, Elisa Sednaoui, Carolina Pantoliona, Amanda Laine, Katie Fogarty, to name a few.


Exclusively Fashion Magazine: Your career began when you moved to New York.  You have assisted
photographers and one of them being Mario Sorrenti; what have you learned
by assisting him?

Cameron Krone: I assisted for about a year and I learned that it's not about the light.  It's all about the concept, the connection with the model, and the feeling that separates the big guys from the rest.

EFM: How did you get your big break as a fashion photographer?

CK: I still haven't had a big break in my mind. ha!

But, shooting a 4-page advertorial for Vogue Italia Accessories was definitely one of the highlights, thus far. My agent has been instrumental in helping me find better jobs and I think it's necessary to keep moving forward. Another job that is coming up is a Korean Catalog with Agyness Deyn, which is another job, which definitely lets me know that I am moving in the right direction as a photographer and an artist.

EFM: How long have you been a photographer?

CK: 2 years full time since 2008.

EFM: Can you tell me what a typical day is like for you?

CK: I wake up around 8:30 and get to the gym by 9AM for an hour workout. I answer emails, phone calls, and check the modeling websites during the day if I am not shooting. I shoot about 3 days per week. And, I often go to art openings and dinners with friends during the week, as well to stay busy. 

EFM: Do you have an agent; if no, explain why and if yes, explain why it’s
important to have one?

CK: In New York, it's absolutely essential to have an agent. They are the ones that handle most productions for jobs which saves a lot of time, leaving you to focus on the job itself. They also give you credibility, which is very important in a largely subjective field like photography. 

EFM: There are many photographers out there; do you think it has become too
easy or do you think that it is hard to become a successful photographer?

CK: It's very hard to become a successful photographer and it takes a minimum of 3-5 years to become established in one of the larger cities. People think they can do a few tests and start shooting for good magazines, but it's a long road with many ups and downs before you start achieving the jobs you've always wanted. I am just now starting to shoot money jobs and it's been 4 years since I moved to New York. 

EFM: How would you define yourself as a fashion photographer?

CK: Strong, minimal, and graphic.  I am inspired by Mikkael Jansson, Helmut Newton, and Nathaniel Goldberg. 

EFM: Who would you most like to photograph and why?

CK: Tiger Woods and Kanye West because they are the people I've really looked up to for years. Despite their recent challenges, they've inspired millions of people and have achieved great success in their relative fields. Now, we know that they are human and make mistakes like all of us! 



American Vogue Editor at Larger Andre Leon Talley


Model Chanel Iman


Fashion Photographer Craig McDean


 EFM: You are known for taking photos of models; how did the opportunity come
about?

CK: I came to New York during my summers in college and started interning for Art Partner and continued doing test shoots for the modeling agencies every summer. I've done hundreds of model tests! Too many :) 

EFM: What type of camera do you most prefer to use and why?

CK: Hasselblad H1 with the Phase One P30 back. The quality from medium format is much better than that from the Digital SLR's. There is a depth of field that is unmatched by other cameras. Plus, I like the slow shoot speed because it keeps me from just shooting thousands of images per shoot.

EFM: What tips can you give on presenting a portfolio to an agency?

CK: Don't show it until it's ready. First impressions are important and you should have at least 20-30 great images before putting your book out there. 

EFM: Our most famous question here at EFM.  What advice can you give to
aspiring fashion photographers?

CK: It's a business where you could be 1-2 months without money jobs or work in general. Don't lose hope during the slow times. They never last!


Fashion Designer Michael Kors


V


Creative Director of Oscar de la Renta Home Miles Reed


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Interview by Rochell “E” James


   
 
 

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